The House on the Hill – Audience

5 Stars

The glorious album cover for House on the Hill. Chrysalis put their weight behind the band, as shown by this wonderful gatefold album cover.

Audio CD (paid link)

“The House On The Hill” was probably Audience’s most celebrated album and their first collaboration with the very famous and trendy Gus Dudgeon (who came to fame with his work for Elton John) as producer, which proved to be a meeting of complementary minds and humour lasting through the next Audience album and Howard Werth’s solo career.

Audience was a band whose appeal is as fresh today as it was when they were influencing the hippest scene of the early seventies. They were described variously at the time as a “Progressive,” “Underground” or “Art Rock” outfit, although their uniqueness actually defined any pigeonholing, their influence was widespread.

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Audience was formed in early 1969 from the remnants of a psychedelic/soul band known as “The Lloyd Alexander Blues Band.” The original concept was based around Howard Werth’s strong, powerful voice and unique electric nylon-strung guitar, plus the blaring echoing sax and flute of Keith Gemmell. Together with the underpinning heartbeat of Trevor Williams’ stomping bass and Tony Connor’s inventive drum work (his live drum solos had to be seen to be believed). Tony Connor was also moonlighting drumming for the soul band Hot Chocolate. When Audience broke up, he joined Hot Chocolate on a more permanent basis, where he remained throughout all their chart success.

The initial musical spark was built around a mixture of highly incongruous styles, including medieval folk, bossa nova, soul, rhythm and blues, and jazz.

It worked well but soon developed into something of its own whilst getting louder and more suited to the larger venues at which they were increasingly being asked to play alongside such acts as Led Zeppelin, Fleetwood Mac, Pink Floyd, and many more.

The band in all their Seventies glory. From left to right: Keith Gemmel, Tony Connor, Trevor Williams and Howard Werth.

By the time of “House On The Hill” (1971) Audience were at the peak of their creative style. The opening song, “Jackdaw,” is a truly powerful track with Werth’s vocal complemented by Zappaesque Fuzz bass and clarinet from Gemmell.

Many people have likened the moody spine-tingler “I Had A Dream” to Bob Dylan’s “Knockin’ On Heavens Door.” However, when you realize that it was written and recorded quite some time before Dylan’s classic, it becomes quite apparent how far Audience’s influence spread.

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Though Audience disbanded before they could consolidate the huge success they so richly deserved, their name and reputation have lived on through those initiates around the planet who were fortunate enough to see them live or listen to their original vinyl releases before they were finally on CD.

Howard Werth’s voice pairs well with Keith Gemmell’s ubiquitous gruff sax. Much of their overall strategy was later to find success in some of the music of Roxy Music and David Bowie.

House On The Hill” is one of the early seventies golden moments. Listen and enjoy.

Rating: 5 Stars

Musicians:

Keith Gemmell – Tenor Sax, Clarinet and Flute

Howard Werth – Electric Classical Guitar and Vocals

Trevor Williams – Bass Guitar

Tony Connor – Percussion and Vibes

Tracks Listing:

1. Jackdaw

2. You’re Not Smiling

3. I Had A Dream

4. Raviole

5. Nancy

6. Eye To Eye

7. I Put A Spell On You

8. The House On The Hill

9. Indian Summer

Written by Mott the Dog from Pattaya’s appreciative Darkside.

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