Ozzy Osbourne – Patient Number Nine

5 Stars

The artwork for the cover of Patient Number Nine. I assure you the calm before the storm.

Audio CD (paid link)

Ozzy Osbourne. The Godfather of Metal. The Big Double O. The Prince of Darkness. What is there to say about him? Well actually heaps. The man is a true living legend—the genuine article.

Ozzy was with his three mates, Tony Iommi, Geezer Butler, and Bill Ward, when they changed the name of the band to Black Sabbath in 1969.

The band hit the scene with perfect timing, and success with the public was almost immediate. With the youth of the day all a bit sick ‘n’ tired of all this hippie peace and love stuff of the sixties, they wanted action.

Black Sabbath gave it to them with Tony Iommi’s heavy riffs, Geezer Butler’s weird lyrics, Bill Ward’s thunderous drums and some crazed madman at the front beseeching everybody to “Go Crazy,” which they all did.

Ozzy Osbourne, the Prince of Darkness. Don’t look into his gaze; protect your very soul from Rock’n’roll. Too late for most of us.

For ten glorious years, Black Sabbath ruled the heavy metal scene (of course they still do – Editor’s note), keeping the manufacturing companies of Coca-Cola in business.

Tensions in the band were always on edge but reached a crescendo in April 1979 when Tony Iommi knocked Ozzy out and evicted him from the band!

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The whole world (including Ozzy) thought that was it for Ozzy. End of the road. Ozzy was given less than 100,000 pounds as severance from Black Sabbath and hid himself away in a hotel room with booze and substances. In his thinking, it was the last party before heading home to Birmingham, England, and the dole.

Ozzy the motorbike rocker.

All except one man. One of the hardest men ever to become a rock band manager, Don Arden signed Ozzy up, sending his rather mousy daughter Sharon ‘round to look after him, making sure he had everything he wanted. Ozzy was a wreck, but salvageable. Sharon got him a band, and what a band. Two seasoned pros in Bob Daisley on bass, also adding his invaluable songwriting skills; Lee Kerslake, who is still recognized as one of the great rock drummers, who until recently had been in Uriah Heep; plus on lead guitar the wonder kid Randy Rhoads. Often not mentioned was the silent member of the band, Don Airey, the keyboard wizard who was very involved in the first two albums and the road band.

Magic occurred.

Not for the last time, Ozzy rose from the ashes.

A succession of albums followed, with Ozzy soon overtaking his old band mates in album sales, concert attendances, and most importantly, popularity.

It certainly was not all smooth sailing! Randy Rhoads’ tragic death in a private plane accident was devastating. Arrests, punch-ups, court cases, periods in rehab—so many tales.

Zakk Wylde. Fellow wild man of rock makes a massive contribution to this collection.

With Sharon by his side, Ozzy could still bite the head off the odd bat, but Sharon, who had now transformed into a hard-edged businesswoman, would always be there to sort it out.

When things went a bit quiet on the rock scene in the 90’s and Ozzy was considered not cool enough for the Leopallooza Festival, Sharon organized the Ozzfest for Ozzy to headline, soon outselling Leopallooza itself. The money was rolling in.

Although all Ozzy’s solo albums and tours went well, Sharon was always on the lookout for something new, usually groundbreaking. Ozzy started getting parts in movies, usually as himself but with great effect. Then of course in 2002 came the Osbournes, a reality show about life in the Osbourne household, another smash hit that ran for four seasons.

He reunited with Black Sabbath for one more album and tour, which resulted in a Number One album “13” and a sellout world tour entitled “The End.”

He went on several retirement farewell tours, just always returning.

Ozzy Osbourne and Tony Iommi – happy to be back together again.

The life of the world’s biggest rock’n’roll warriors does not come without its price. Ozzy’s health is not what we would all like, but you cannot keep the Ozzman down because he cometh.

Anyone who saw his appearance at the closing ceremony to the Commonwealth Games will know that Ozzy is still game, huge great shit-eating grin on his face as he belted out the lyrics to both Iron Man and Paranoid.

Now we have a new album, “Patient Number Nine.”

“Doctor, this patient needs his freedom.”

Released on Friday, 9th September, this is certainly not a run-through for the pipes and slippers brigade. This is a fully-fledged heavy metal rock record, with Andrew Watt in the producer’s chair.

There is over an hour of music here, no filler, all killer.

Jeff Beck shows his wild side on Patient Number Nine, really letting rip, putting the pedal to the metal.

Ozzy wrote all the songs with a couple of assists. Ozzy is Ozzy, and sounds in great throat, amused at times, the Prince of Darkness at others. It’s the same Ozzy we know and love. Nothing has changed there at all.

Josh Homme is the guitarist! Well sorta! Rallying to the Osbourne standard is an incredible list of A-Level exponents of the rock guitar. To name them, Eric Clapton, Jeff Beck, Mike McCready, and then two of Ozzy’s best former partners in crime, Tony Iommi and Zakk Wylde. If that is not enough, sharing bass duties are Robert Trujillo, Duff McKagen, and Chris Chaney; talk about bottom end. Then the drums are smitten by not only Chad Smith but also Taylor Hawkins (RIP). Gives the Rock World pause for celebration.

Mike McCreally of Pearl Jam comes to the heavy metal party with a Seattle roar.

The guest appearances here are not just a sales pitch; these are some of Ozzy’s mates come to do battle. They work in Ozzy’s style (hard’n’heavy) whilst keeping their own identity.

A fine example of this is the opening title track (click to listen: Patient Number 9); after some demented pleas from the patients to be let out, the band rips in with Ozzy in fine voice, but when Jeff Beck takes the guitar solo, heads roll.

Jeff Beck also features on ‘A Thousand Shades,’ which leaves you begging the question, how can this be recreated on the live stage, without the pair joining forces on the boards?

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‘One Of These Days’ features Eric Clapton. Slowhand unleashes his fingers and gets the job done with raging bluesy riffs and a solo. The song has gentle verses but a strident chorus, suiting the pairing well, while the band bustle along making sure there is no letup.

Mike McCready lends loads of riffs, with a blistering solo to ‘Immortal’ (which, by this time, is how we feel about Ozzy). This song would be the absolute pinnacle on many collections, but on this remarkable collection, it fits perfectly.

There are four songs where Zakk Wylde steps up. It is so good to hear these two wild men of rock combining again. ‘Mr Darkness’ is probably my pick of the four, purely for its brutality. The hooks are like razors; everything we have come to expect from this pair. All of these songs would’ve sounded at home at the top of their heyday together. They keep you on the edge of your ears wondering which way they are going to charge off at any given moment.

Ozzy gets a Metallica smacker.

The most anticipated guitarist joining the fray has to be that of Tony Iommi, the man who has had over a fifty-year association with Ozzy, appearing for the first time on an Ozzy solo album. It does not disappoint. ‘No Escape from Now’ reeks of the Black Sabbath days. (Well, what else? When you put these two up there) Ozzy gives us the ‘Planet Caravan’ vocals effect in its doom metal setting within a warren of musical musing.

Degradation Rules’ is even better. Tony Iommi puts the hammer down as he plunders the riffs, whilst Ozzy pleads with you to listen, also bringing back memories with some wailing harmonica. Degradation indeed. This track could’ve easily been on any of Sabbath’s first five albums and would’ve been a highlight from the Sabbath reunion album “13” from 2013.

Pure joy for us old headbangers to revel in. Let’s all hope there will be more creativity between these two.

The album is seen out by two fine slices of Ozzy before fittingly ending with the short ‘Darkside Blues.’ (Perhaps an ode to Pattaya’s Dark Side!)

Ozzy Osbourne is 73 years old and undoubtedly at the very top of his game. Long may this present hot streak continue.

When Ozzy sings, “Don’t Forget Me, Even When I Do….” You don’t know whether to laugh or cry. Of course, we won’t forget you, you silly sod; how could we?

Tony Iommi and Ozzy Osbourn reunite Live at Commonwealth Games Closing Ceremony 2022

Ozzy leading the masses from the front. “Let’s all go crazy!”

Personnel on Patient Number Nine

Ozzy Osbourne – Vocals and Harmonica

Jeff Beck – Guitar

Tony Iommi- Guitar

Zakk Wylde- Guitar

Eric Clapton – Guitar

Mike McCready -Guitar

Josh Homme- Guitar

Robert Trujillo – Bass

Duff McKagen – Bass

Chris Chaney -Bass

Chris Smith – Drums

Taylor Hawkins – Drums

Ozzy the Wildman of the eighties.

Songs

Patient Number 9 (Featuring Jeff Beck)

Immortal (Featuring Mike McCready)

Parasite (Featuring Zakk Wylde)

No Escape from Now (Featuring Tony Iommi)

One of These Days (Featuring Eric Clapton)

A Thousand Shades (Featuring Jeff Beck)

Mr. Darkness (Featuring Zakk Wylde)

Nothing Feels Right (Zakk Wylde)

Evil Shuffle (Featuring Zakk Wylde)

Degradation Rules (Featuring Tony Iommi)

Dead and Gone

God Only Knows

Darkside Blues

Written by Mott the Dog

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Ozzy Osbourne – Patient Number 9 (Behind the Scenes) ft. Jeff Beck

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