November 21, 2024

Led Zeppelin – Physical Graffiti

First released as a double vinyl album in February 1975, Physical Graffiti went on to 16x Platinum, selling over eight million copies in the USA alone. Many consider Physical Graffiti Led Zeppelin’s finest hour.

Jethro Tull – Bursting Out – Live

With an awesome reputation live, it was decided that it was time for the essential live double album. So, during their European concert tour to support the latest release, Heavy Horses (1978), all of their concerts were recorded, and the best bits, in Ian Anderson’s opinion, put together for this release.

Hawkwind – Space Ritual ‘Live’

Fortunately for us all, several Hawkwind shows were recorded, and the best of two from Liverpool and Manchester have been spliced together to give the complete experience, all done in the correct running order. This was first released as a double album in 1973 at the price of a single album, Hawkwind being Hawkwind and always giving value for money. As well as a poster-size foldout cover, you also got two booklets, one telling the story of the Space Ritual joining the dots between songs, the other giving you all the information you could possibly want about the tour.

Deep Purple – Days May Come Days May Go

Deep Purple recorded “Days May Come Days May Go” in 1975 at a very interesting time in their career. But they didn’t release it until 2000. “Days May Come, Days May Go” is certainly worth bending an ear to. Just to see what could have been.

Jimmy Barnes – Barnestorming

Jimmy Barnes put together the cream of Australian musicians on tour to support the albums to show things off. The band included Johnny Diesel and Dave Amato on guitars, Chris Bailey on bass guitar, Tony Brock on drums and Peter Kekell on keyboards. These recordings were released on a double album as Barnestorming at the end of 1988 and naturally roared up the charts over Christmas, staying at number one for three weeks.

Greg Lake In Concert – King Biscuit Flower Hour

Recorded on Guy Fawkes Day, November 5th, 1981, this concert was certainly full of fireworks. Recorded at the Hammersmith Odeon, England, during the world tour for his first solo album (simply titled “Greg Lake”), the show presented Lake on a London stage for the first time since the demise of his previous band “Emerson, Lake and Palmer.”

Gary Moore – We Want Moore

The songs from the main set don’t let up for a second, and in true eighties tradition Moore just blazes his fingers over them. All of the songs are over seven minutes long with extended solos.

The Who – Live at the Isle of Wight 1970

No other recording shows The Who in the entirety of their talents. Listening to Pete Townshend, at his most explosive leading the band through the shattering rock ‘n’ roll medley at the end of the set is nothing short of jaw-dropping.