Fortunately for us all, several Hawkwind shows were recorded, and the best of two from Liverpool and Manchester have been spliced together to give the complete experience, all done in the correct running order. This was first released as a double album in 1973 at the price of a single album, Hawkwind being Hawkwind and always giving value for money. As well as a poster-size foldout cover, you also got two booklets, one telling the story of the Space Ritual joining the dots between songs, the other giving you all the information you could possibly want about the tour.
This is a very sad collection of songs put together, but what was a second rate band in their heyday is a total disaster today. Haven’t they heard that the unplugged rage was over ten years ago? Acoustica just reeks of desperation.
Deep Purple recorded “Days May Come Days May Go” in 1975 at a very interesting time in their career. But they didn’t release it until 2000. “Days May Come, Days May Go” is certainly worth bending an ear to. Just to see what could have been.
Argus was voted album of the year by very influential British Music Paper Sounds. Sold-out world tours followed, creating a huge fan base. An album that should be in every record collection.
Jimmy Barnes put together the cream of Australian musicians on tour to support the albums to show things off. The band included Johnny Diesel and Dave Amato on guitars, Chris Bailey on bass guitar, Tony Brock on drums and Peter Kekell on keyboards. These recordings were released on a double album as Barnestorming at the end of 1988 and naturally roared up the charts over Christmas, staying at number one for three weeks.
The musicianship is never anything but superb; for that alone, the album cannot be faulted. The best and heaviest thing on the album is the John Gustafson-written ‘Sinister Minister’ with its crunchy guitar licks and bass-heavy driven rhythm.