Released just over two years after Jimi Hendrix’s tragic death, in my opinion, there has never been a finer collection of his live work. The album just gleams with quality. Not only is the music out of this world, but the atmosphere given off by Jimi Hendrix’s chat to the audience is also spellbinding.
Vardis was a band that will always be associated with the new wave of British Heavy Metal from the early eighties. This gave us Iron Maiden and Def Leppard, both of whom adapted to survive. Vardis went straight down the line playing their brand of heavy boogie rock—a band for the purists.
The basis of this review is: should a rock band that disbanded 40 years ago, along the way losing their chief multi-instrumentalist, song writer and leader, reform and record a new album? In Gryphon’s case the answer is definitely, No.
Calling Card was Rory Gallagher’s sixth studio album, his fourth with Lou Martin on keyboards, Rod de’Ath on drums, plus the ever-faithful Gerry McAvoy on bass guitar. This unit had been touring together constantly for six years and they were as tight as the Irish Rugby Union’s front row.
There had been twenty-nine years since Ian McDonald’s last solo release in 1970, a collaboration with drummer Michael Giles, and this solo album ‘Drivers Eyes’ (1999). The album is a collection of songs that make up a perfect modern rock album, driving music played with thought and inspiration.
What is progressive rock? Well, it’s when you grow up and stop worrying about what the band looks like and start listening to the music. My British Bulldog friends Grey Lady Down are a fine example with their neo-progressive sound.
2020 was a good year for new rock albums. Cats in Space’s third album, Day Trip to Narnia, is no exception. After Too May Gods (2015), Scarecrow (2017), and a positively bouncing live album, Cats Alive (2018), Day Trip To Narnia is a massive step in the right direction.
Five songs were selected for Genesis Live, which rocketed into the charts in Britain, reaching #9. What you got were five epics, all clocking in at over eight minutes; in all forty-five minutes.
Look At Yourself (1971), the band’s third album, still is the ultimate Uriah Heep hard rock album to many. The cover is great; it’s a mirror, look at yourself! Get it?
Released in 1975, Cunning Stunts was Caravan’s sixth album and contained all their trademarks. Beautiful compositions, dexterous musicianship, a relaxed atmosphere, and plenty of ribald humour.
