Led Zeppelin – Physical Graffiti

First released as a double vinyl album in February 1975, Physical Graffiti went on to 16x Platinum, selling over eight million copies in the USA alone. Many consider Physical Graffiti Led Zeppelin’s finest hour.

Jethro Tull – Bursting Out – Live

With an awesome reputation live, it was decided that it was time for the essential live double album. So, during their European concert tour to support the latest release, Heavy Horses (1978), all of their concerts were recorded, and the best bits, in Ian Anderson’s opinion, put together for this release.

Buddy Guy – Damn Right, I’ve Got The Blues

For those of you wanting to hear some genuine ‘Blues’ music recorded in a modern studio with all the sound quality that this gives, this is the album for you. It was unanimously voted Blues Album of the Year by the Grammies in 1992. This album just reeks of class.

Flash – Flash

“Flash” had a vibrancy and optimism that transcended all the stereotypes of seventies rock music. They really loved their music and it always showed. They were Flash – their life was short but burned bright. They came and went in a Flash.

Classic Rock

Free Tons of Sobs

Paul Rodgers’ voice has often been voted the best British rock/blues vocalist of all time! He had that power then; he has it now.

John Mellencamp – Scarecrow

Scarecrow was released in 1985 and reached number two in the American Charts, producing three top ten singles and going 5x platinum sales in the United States of America alone.

Parallel Lines – Blondie

Released 1978, Blonde’s third album ‘Parallel Lines’ reached number one all across Europe, Asia and Australia. It’s been ranked #140 on Rolling Stone magazine’s Top 500 albums of all time.

Concerts & Live Recordings

Steppenwolf – Live

Definitely one of the finest of many good live albums from the early seventies, catching the live beast that was Steppenwolf at the peak of their undoubted powers.

Genesis Live 1973

Two concerts were recorded at the Free Trade Hall, Manchester and De Montfort Hall, Leicester, on the band’s tour of the UK supporting the Foxtrot. (Magnificent they were too.) As a result, five songs were released on Genesis Live, which met with great critical acclaim and enthusiasm by the British record-buying public.

Man – Man Alive

This is the story of the Welsh rock ‘n’ roll band ‘Man,’ not the people. This Dog can understand rock ‘n’ roll; people are a lot trickier. Part one revolves around the recently released live greatest hits album sensibly titled ‘Man Alive.’

Heavy Metal

The Damned – Grave Disorder

What you have here is thirteen fabulous cuts, all featuring what you would expect from The Damned, speed, melody, aggression, attitude by the bucket load, and a belly full of laughs.

Atomic Rooster – Death Walks Behind You

Just the name alone conjures up thoughts of demonic early seventies heavy metal, progressive rock. Atomic Rooster came out with a couple of very powerful early seventies albums. They sounded great.

AC/DC – Razors Edge

There are some classic songs on ‘Razors Edge’ that became firm favorites with the live crowds, allowing AC/DC to spice up the live set.

Progressive Rock

Flash – Flash

“Flash” had a vibrancy and optimism that transcended all the stereotypes of seventies rock music. They really loved their music and it always showed. They were Flash – their life was short but burned bright. They came and went in a Flash.

Hawkwind – Space Ritual ‘Live’

Fortunately for us all, several Hawkwind shows were recorded, and the best of two from Liverpool and Manchester have been spliced together to give the complete experience, all done in the correct running order. This was first released as a double album in 1973 at the price of a single album, Hawkwind being Hawkwind and always giving value for money. As well as a poster-size foldout cover, you also got two booklets, one telling the story of the Space Ritual joining the dots between songs, the other giving you all the information you could possibly want about the tour.

Hard Stuff – Bulletproof

The musicianship is never anything but superb; for that alone, the album cannot be faulted. The best and heaviest thing on the album is the John Gustafson-written ‘Sinister Minister’ with its crunchy guitar licks and bass-heavy driven rhythm.

Threshold – Legends of the Shires

It’s impossible to pick out highlights on Legends of the Shires as the album is best served to be listened to in its entirety. But after a brief introduction, the second song, Small Dark Lines, shows off Threshold’s combined power. Heavy riffing over a pounding beat with determined vocals—an aural battering.

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